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Chat avenue singles – Chat client software.
Chat Avenue Singles
Chat Avenue lets people use a number of specific chat rooms made for different groups, such as teens, girls, users interested in music, sports, wanting to date and more! There is a blog that posts about the world and some advice on how to stay safe online and use online chats.
- (single) a base hit on which the batter stops safely at first base
- (single) individual: being or characteristic of a single thing or person; “individual drops of rain”; “please mark the individual pages”; “they went their individual ways”
- People who are unmarried or not involved in a stable sexual relationship
- An individual person or thing rather than part of a pair or a group
- A short record with one song on each side
singles
- A thoroughfare running at right angles to the streets in a city laid out on a grid pattern
- A broad road in a town or city, typically having trees at regular intervals along its sides
- British Archaeologists refine the general archaeological use of avenue to denote a long, parallel-sided strip of land, measuring up to about 30m in width, open at either end and with edges marked by stone or timber alignments and/or a low earth bank and ditch.
- a line of approach; “they explored every avenue they could think of”; “it promises to open new avenues to understanding”
- A tree-lined road or path, esp. one that leads to a country house or similar building
avenue
- an informal conversation
- New World chat: birds having a chattering call
- chew the fat: talk socially without exchanging too much information; “the men were sitting in the cafe and shooting the breeze”
chat
The Million Dollar Quartet
'Million Dollar Quartet' is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.
The jam session seems to have happened by pure chance. Perkins, who by this time had already met success with 'Blue Suede Shoes', had come into the studios that day, accompanied by his brothers Clayton and Jay and by drummer W.S. Holland, their aim being to cut some new material, including a revamped version of an old blues song, 'Matchbox'. Sam Phillips, the owner of Sun Records, who wished to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, singer and piano man extraordinaire Jerry Lee Lewis, still unknown outside Memphis, to play piano on the Perkins session.
Sometime in the early afternoon, Elvis Presley, a former Sun artist himself but now at RCA, dropped in to pay a casual visit accompanied by a girlfriend, Marilyn Evans. He was, at the time, the biggest name in show business, having hit the top of the singles charts five times, and topping the album charts twice in the preceding 12-month period. Less than four months earlier, he had appeared on The Ed Sullivan Show, pulling an unheard-of 83% of the television audience, which was estimated at 55 million, the largest in history up to that time.
After chatting with Philips in the control room, Presley listened to the playback of Perkins’ session, which he pronounced to be good. Then he went out into the studio and some time later the jam session began. Phillips left the tapes running in order to 'capture the moment' as a souvenir and for posterity. At some point during the session, Sun artist Johnny Cash, who had recently enjoyed a few hits on the country charts, popped in. (Cash wrote in his autobiography Cash that it was he who was first to arrive at Sun Studio that day.) As Jerry Lee pounded away on the piano, Elvis and girlfriend Evans slipped out at some point. Cash claims in Cash that 'no one wanted to follow Jerry Lee, not even Elvis.'
As the session continued, Phillips spotted an opportunity for some publicity and called a local newspaper, the Memphis Press-Scimitar. Bob Johnson, the newspaper’s entertainment editor, came over to the studios accompanied by a UPI representative named Leo Soroca and a photographer.
The following day, an article, written by Johnson about the session, was published in the Memphis Press-Scimitar under the title 'Million Dollar Quartet'. The article contained the now-famous photograph of Presley seated at the piano surrounded by Lewis, Perkins and Cash. (The original, uncropped version of the photo also includes Evans, shown seated atop the piano.)
The jam session seems to have happened by pure chance. Perkins, who by this time had already met success with 'Blue Suede Shoes', had come into the studios that day, accompanied by his brothers Clayton and Jay and by drummer W.S. Holland, their aim being to cut some new material, including a revamped version of an old blues song, 'Matchbox'. Sam Phillips, the owner of Sun Records, who wished to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, singer and piano man extraordinaire Jerry Lee Lewis, still unknown outside Memphis, to play piano on the Perkins session.
Sometime in the early afternoon, Elvis Presley, a former Sun artist himself but now at RCA, dropped in to pay a casual visit accompanied by a girlfriend, Marilyn Evans. He was, at the time, the biggest name in show business, having hit the top of the singles charts five times, and topping the album charts twice in the preceding 12-month period. Less than four months earlier, he had appeared on The Ed Sullivan Show, pulling an unheard-of 83% of the television audience, which was estimated at 55 million, the largest in history up to that time.
After chatting with Philips in the control room, Presley listened to the playback of Perkins’ session, which he pronounced to be good. Then he went out into the studio and some time later the jam session began. Phillips left the tapes running in order to 'capture the moment' as a souvenir and for posterity. At some point during the session, Sun artist Johnny Cash, who had recently enjoyed a few hits on the country charts, popped in. (Cash wrote in his autobiography Cash that it was he who was first to arrive at Sun Studio that day.) As Jerry Lee pounded away on the piano, Elvis and girlfriend Evans slipped out at some point. Cash claims in Cash that 'no one wanted to follow Jerry Lee, not even Elvis.'
As the session continued, Phillips spotted an opportunity for some publicity and called a local newspaper, the Memphis Press-Scimitar. Bob Johnson, the newspaper’s entertainment editor, came over to the studios accompanied by a UPI representative named Leo Soroca and a photographer.
The following day, an article, written by Johnson about the session, was published in the Memphis Press-Scimitar under the title 'Million Dollar Quartet'. The article contained the now-famous photograph of Presley seated at the piano surrounded by Lewis, Perkins and Cash. (The original, uncropped version of the photo also includes Evans, shown seated atop the piano.)
1290 Avenue of the Americas (formerly Coconuts record store); site of the historic 1994 meeting between Mariah Carey and yours truly
Chat Avenue Singles Chat Room
I am at the intersection of West 51st Street and Avenue of the Americas (Sixth Avenue), northeast corner. Sure, the red decor of the Sovereign Bank branch is interesting, but that’s not why I took this photo.Back in the 1990s, when I was based in New York City, this was a location of Coconuts. And on 21 November 1994, Mariah Carey was here to do a meet-and-greet to sign her then-new Christmas release, Merry Christmas. A key single from that album, 'All I Want for Christmas Is You,' went on to become the most popular Christmas song ever.
Chat Avenue Singles Room
On that day, I was right here. The bank lobby to the right was the store entrance, and the ATM lobby to the left was where Mariah would have sat at a desk to meet with the fans. Just outside the ATM lobby on the sidewalk was where the line was – circling the entire block. After a 12-hour wait, I managed to say hello, and have a chat. (The meet-and-greet ran only two hours, 5PM to 7PM. I had arrived at dawn to line up.)
Chat Avenue Singles
This event marked my first-ever meeting with my favorite celebrity. I would not have another celebrity meeting until 2006. And even today, this remains one of my favorite spots in New York City, thanks to all the 1994 memories still staying fresh.
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As one of the few idols of my earlier years, Mariah Carey holds a special place in my heart. And with the passing of my other early idols – Michael Jackson in 2009, Whitney Houston in 2012 – Mariah Carey is also the last early idol of mine who is still alive.